Was Reverend Ruben Diaz Sr.'s homophobic boycott against NY's 'El Diario La Prensa' effective?


Photo: El Diario La Prensa CEO and Chief Editor Rossana Rosado on New York 1 en Español's "Pura Politica".

I've been on such a light blogging schedule as of late that I haven't even written about passage of the marriage equality law in New York State last month or the legal marriages between same-sex couples that began last week. I have no doubt, though, that readers of this blog caught wind of the developments elsewhere.

But there remain some interesting angles that haven't been covered or have gone under-reported in English language media and the following story is one of them.

Last April, as foes of marriage equality in New York ramped up efforts to convince state legislators not to bring a marriage equality bill up for a debate, news filtered out that New York State Senator and Reverend Ruben Diaz, Sr. (D-Bronx) would be headlining a rally in his home borough in opposition of the bill. The rally, which I attended on May 15th, wasn't the first or last rally Diaz would lead on the issue, but something new emerged: A call to boycott the leading Spanish language newspaper in New York City, El Diario La Prensa, over their long-standing editorial support for marriage equality.

News of the boycott first surfaced in a Spanish-language Dominican Republic newspaper in which the Reverend promised that it would lead to a single-day newspaper stand sale drop o 20,000 copies.  Here is what Diaz said about the boycott at the Bronx rally...


Diaz implied to the crowd that it was God who ordered the boycott (at the :54 second mark):
Our God has indicated to me to ask you to send a message to El Diario La Prensa. The fifty cents that you spend in buying the newspaper - with those fifty cents you are contributing to the promotion and the promulgation of marriage between a man with a man and a woman with a woman and abortion. And you are a son of God... You are a daughter of God... You are child of God.  Starting tomorrow Monday, I am calling on all of you not to dare give fifty more cents to El Diario La Prensa. Kick them out! It's out they go! Out! Out! Out!
I must be jaded and gotten used to all the other homophobic religious nuttery that took place that day because the call to censure the press in the name of God was one of the most chilling things I heard on that day. Days earlier, Diaz - true to his disregard of the separation of church and state -  posted a diatribe against El Diario on his Senate website in which he directly quoted the Bible ("He who is not with us, is against us - Luke 9:50"). On May 28th, Diaz also appeared on New York 1 en Español's weekly political show "Pura Política" defending his attack on freedom of expression to the show's host Juan Manuel Benitez (at the 4:23 minute mark):
JUAN MANUEL BENITEZ: This freedom of expression, to say what you want to say, you don't extend it to El Diario La Prensa? You've been organizing a boycott based on the editorial content of El Diario La Prensa because they back same-sex marriage...
SEN. RUBEN DIAZ, SR.: And abortion, and abortion, because...
JMB: So you want to silence El Diario La Prensa's freedom of expression.
DIAZ: No, I want to be granted equality. I want to be granted equality.
JMB: And what is equality. Which is the equality.
DIAZ.: Equality means that El Diario La Prensa doesn't cover any of our activities. They don't cover our children's parades...
JMB: They did cover your rally from a couple of weeks back...
DIAZ: Nooooo, oh, man, it was just miniscule coverage. They don't cover the Day of the Pastor, they don't cover religious activities, they don't cover a thing. They only cover...
JMB: Perhaps they only cover what they consider to be newsworthy...
DIAZ: So us... the Evangelical people don't have the right... We don't have to spend fifty cents to buy it. That doesn't... that doesn't... we are in America!
JMB: You are taking away their freedom of expression.
DIAZ: Ah! So is it an attack... for... for... for us to inhibit our right to express our position. Give me equality, and let's say we'll be on even keel. I'm not saying 'Do not write about that'. What I'm saying is: Why is it that you write only about that side... and don't write about this side. Journalism should be impartial. Which is what I just told you about Blabbeando.
Yes, Diaz plugged this blog as an example of the 'fair and balanced' coverage he should get at El Diario. Sigh.

Diaz, of course, lost big time when it came to blocking the recognition of marriage equality in New York State.  Question is, having pulled out all his forces to hurt the sales of El Diario La Prensa, did his supposedly God-mandated boycott work?

For an answer let's go back to Friday's edition of "Pura Politica" in which El Diario La Prensa's long-time Chief Operating Officer and Editor Rossana Rosado sat down to publicly address the issue for the first time. I have a feeling you might be surprised...


In the clip Rosado discusses the Diaz boycott somewhat reluctantly and seemingly hesitant to give it more publicity than it's worth. She explains why they chose not to address it directly initially and also reveals, for the first time in a public venue, why passage of the marriage equality law in New York State hit so close to home. Here is the full transcript (I've highlighted key passages):
JUAN MANUEL BENITEZ: An elderly couple made history on Sunday when they became New York City's first gay marriage. Phyllis Siegel, a 77 year old retired librarian, and her wife Connie Kopelov, an 84 year old retired activist and labor leader, sealed their 23-year old relationship by getting married - legally. Hundreds of same-sex couples did the same and have continued doing so all week long. This historic event and the debate that preceded and led to it was followed closely by the oldest Spanish-language publication in the city, EL DIARIO LA PRENSA. With us, today, is their Editor and Executive Director ROSSANA ROSADO, many thanks for being with us [RS: Thank you for the invitation]. ROSSANA, why this issue and the way it was covered by EL DIARIO and, in particular - to get started - how did you experience the news at EL DIARIO LA PRENSA once it became a reality on Sunday...
RS: It's not the first time. People seemed to take it as something unique but at EL DIARIO we have spent years backing gay marriage. It wasn't something new. We have always been in favor of civil rights - and that aspect of the debate - and I think it became news because EL DIARIO's stand became so widely known. But we - as Latinos and New Yorkers - have always have always backed marriage rights for gays.
JMB: But you must know that there is the perception - in this country and in this city - that the Hispanic community is very conservative, very religious, and is not in favor of homosexual marriage. How is the experience at an institution such as EL DIARIO LA PRENSA - which has existed for almost a century - that goes against the grain of what people think the Hispanic community is like.
RR: Well, nevertheless, we have always been a very inclusive community. If someone says that they are against gay marriage based on their religious beliefs they more than likely have a gay son, brother or cousin who opposes [their view]. In other words, as a community we are a little more complex than that. Conservative? Perhaps. But we always have... - for example - the gays have always marched at at the Puerto Rican Parade. We never had the issues, for example, that have existed with the St. Patrick's Parade. And... look, we have never seen any backlash from our readers or public as a reaction to our editorial position or the support we gave it on this occasion.
JMB: And what many people have been asking: Did you sit down at the editorial room in EL DIARIO LA PRENSA and said "We'll go along... we will choose this path... we will support homosexual marriage openly and will we do it in such and such a way"? In other words, was there such a meeting? Was it decided that this would be the editorial line?
RR: Well, as I said, our editorial line isn't something new. We have always had it. I believe our editorial line is consistent with our support for civil rights, immigration rights, social justice, so it's part of our trajectory of fighting for rights we believe to be civil rights. So it's not only a religious debate. If one believes certain rights are civil rights, how can you be opposed to marriage rights... that doesn't make sense. And for me, this is consistent with the trajectory we have set; what could be described as a progressive policy.
JMB: Sunday, June 26th, was a very special day for you professionally and personally. Two days earlier, Governor Cuomo had signed the marriage equality law for which your newspaper fought so hard and in an editorial you titled "Because in the End, It's Love that Counts", you finally broke your silence and wrote, in part: "This newspaper was the target of a boycott based on our support for what we consider to be an issue of civil rights, but the end result of the matter were the calls of support from our family and activists throughout the tri-state area; many of them don't know how to speak or read Spanish and, despite this, they wanted to subscribe to EL DIARIO to insure and protect our editorial independence."
As a business woman, separate from your role as a journalist, what was your experience with this boycott over the editorial stand in favor of gay marriage?
RR: EL DIARIO is what we call in English a 'single-copy' newspaper: It's a newspaper that is sold every day - during ninety-eight years - every day, on the newspaper stand. In other words, we do not offer a subscription rate. So for me it's like a daily survey, whether people will buy it or won't buy it. Therefore we didn't feel the boycott in an economic way. Nevertheless, those who called for a boycott brought a lot of attention to EL DIARIO and, as a result, we seem to have new fans who didn't know us before - who also thought it was something new, that it was a novelty - our support for gay marriage - which it wasn't. And it was also an overwhelming reaction, for them to call us and say 'We don't read in Spanish but we want to subscribe so this boycott won't have an impact on EL DIARIO or do any damage to EL DIARIO; so we gained - through Facebook and Twitter - we gained more.
JMB: But before you received the show of support, I imagine you as a business woman, as the leader of an organization that provides employment to many families, deep inside you must have been worried. You might have said 'Well, we might have to rethink this issue, this stand, this editorial line...'
RR: Neither I nor Erica Gonzalez who is the Editor... we never worried about an economic impact or... we understood and always felt we were on the right side and... I never worried at any moment. What could they do? Stop buying EL DIARIO? We cannot do the work we do - in terms of our causes and the support we provide - we cannot do it on the basis of public surveys. We cannot do it on the basis of threats or the fear-mongering of losing our advertisers. We wouldn't do it on other issues and we won't do it for this issue. So we didn't feel fear, we just said "OK, let's see what happens...'. The strategy was to ignore it and, if there was an impact, to address it later. And there wasn't.
JMB: Because we haven't yet spoken about the person who called the boycott, but he was here a few weeks ago and this is what he said...
NYS SENATOR RUBEN DIAZ, SR.: I want them to grant me equality...
JMB: And what is equality; which equality...
RD.: Equality means that EL DIARIO LA PRENSA doesn't cover any of our activities. They don't cover our children's parades...
JMB: They did cover your rally from a couple of weeks back...
RD: Nooooo, oh, man, it was just miniscule coverage. They don't cover the Day of the Pastor, they don't cover religious activities, they don't cover a thing. They only cover...JMB: Perhaps they only cover what they consider to be newsworthy...RD.: So us... the Evangelical people don't have the right... We don't have to spend fifty cents to buy it. That doesn't... that doesn't... we are in America!
JMB: You are taking away their freedom of expression.RD: Ah! So is it an attack... for... for... for us to inhibit our right to express our position. Give me equality, and let's say we'll be on even keel. I'm not saying 'Do not write about that'. What I'm saying is: Why is it that you write only about that side... and don't write about this side.
JMB: Your reaction...
RR: OK, look. There are people in our community who not only dress like a cowboy but also act as such. They want everybody to do whatever they want them to do. They want to impose their morals. In Puerto Rico we say they preach morality in their underwear, in other words, they want to preach morality. I'll say that if that religious sector would like to 'protect marriage' why don't they attack divorce - because many of them are divorced. I got married 21 years ago, been with the same man, I've been loyal, and I'm in love with him and I believe in marriage. So I'm not about to deny someone else the right to marry. If they want to use the power of their religious congregations for the public well-being why won't they attack absent parents, those who do not pay child support; why won't they attack domestic violence. Why won't they use their alleged power to boycott those organizations, city and state agencies, or corporations that do so much damage to our families. Why won't they use that energy in that way. I believe that we - both in our community and our newspaper - we should celebrate love in all its forms.
JMB: With that response, it's obvious that you feel personally affected. As we said earlier, all these few weeks have also marked a very special moment for you...
RR: Yup. Because one of the first gay weddings will take place at my home... it will be between our friends Nelson and Juan who have spent 36 years together and who will get married - at last! - they'll have the right to do it in this state. We - my husband and I - are very happy that it will happen at our home.... and also because this year was the year in which my daughter revealed to us that she is gay - and she is 17 years of age. And for her and her generation - her friends, her cousins, our family - everyone has given her their full support. There has not been a single negative reaction. I think that's... that's the world we should pass on to our children so that they won't have to suffer, for example, through what Juan and Nelson or my uncles or my relatives went through.
[COMMERCIAL]
JMB: New York became the 6th state in the country to allow these unions. One thing is certain, these marriages do not enjoy legal recognition on the national level since they are not recognized by the federal government. Why? It's due on a law signed by President Bill Clinton in 1996 named "The Defense of Marriage Act". It defines marriage as the exclusive union between a man and a woman and allows the states to deny the legal recognition of homosexual unions if they wish to do so. Thanks to this law many bi-national marriages are in danger since foreigners married to U.S. citizens do not enjoy immigration benefits. President Barack Obama thinks this law is unconstitutional and has asked his team to stop defending it in the courts. On his part, the general attorney of the State of New York, Eric Schneiderman filed a petition of unconstitutionality this week which might provoke a chain-reaction leading to the law's revocation. ROSSANA, do you think this will take place soon. In other words, New York is the 6th state and not the 1st, but perhaps it has more visibility than perhaps all the other states that allow homosexual marriage in the country. Do you think there'll be a chain-reaction and that a great majority of the states will slowly begin to recognize homosexual marriages?
RR: Well, I think New York is decisive due to its size and, of course, because we as New Yorkers continue to believe we are the center of the world [laughs]. But New York does have a large representation of all groups and all ideologies so it does have a larger impact, particularly on what happens in Washington. So, yes, the fact that it happened in New York, the fact that we have people like Schneiderman and Cuomo who have [political] aspirations beyond New York is important as well and I believe that, yes, we will see it. And I hope so because I want to stop dealing with this issue and deal with others I believe are much more important in terms of day to day life: The economy, job creation and other issues that need to be resolved.
JMB: Because, on a deeper level, do you think it will take a long time for the community in general to get used to other family models? Because defenders of traditional marriage say that they defend the institution of marriage as that of a father, a mother and their children - but when it comes to the truth that model doesn't...
RR ...it's that it's been a long time since that model actually existed. I believe the figure is that more than 60% of today's families in the United States are not like that traditional family. My children - my daughter is 17 years old, my son is 20 years old - and from the time they were little, they were always in the minority as being from a family that had a father and a mother, in other words, a nuclear family. The topic of conversation during the school lunches was divorces, it was what other children did when they went to visit their [separated] parents. That [family] structure had already changed a decade ago, in other words, more than a decade ago. Sometimes when these debates come to the surface that's the focus and the people who talk about it do it as if this was something new. But take a look at research and the statistics: The concept of "family" already changed years ago. And what about children raised by grandparents? Extended families? We are in an era in which that nucleus already changed a long time ago.
In other words, just as Reverend Diaz' decades-long opposition to marriage equality in New York led to ultimate failure, his late-game call to boycott El Diario also seems to have failed miserably as well.  Good job, Reverend Diaz! Please keep up on riling against El Diario since it worked so well for them!

And, by the way, if you've read this far, I also urge you to read Rossana Rosado's full OpEd piece on this issue by clicking here.

Bisperas (2011)



Bisperas (Jeffrey Jeturian, 2011)
English Title: Eve

Set on Christmas Day’s eve in a predominantly Catholic neighborhood, Jeffrey Jeturian’s Bisperas (Eve) details a family’s return from the traditional panunuluyan, a re-enactment of Joseph and Mary’s search for a place to stay involving the members of the parish, only to discover that their house has been robbed. As they account for what has been stolen from their belongings, long-kept secrets are uncovered, revealing the ironic dysfunctions of what seems to be a model middle-class Filipino family.

The film is deceptively simple. It faithfully follows the dysfunctional family trope, with no sharp turns in the narrative, just incidents piling upon incidents until everything explodes predictably at the dinner table. It is shot with hardly any pretense for cinematic prettiness or flair, just the drab interiors of a typical subdivision house, illuminated only by sparse room and Christmas lights. It is expertly edited, with scenes stitched together in near seamless fashion, importantly establishing continuity in the story that exists within a very short period of time.

Bisperas is a superbly acted film. Tirso Cruz III plays the beleaguered patriarch with controlled ferocity. Raquel Villavicencio, on the other hand, playing the family’s very tolerant matriarch, blends into the subtle drama with admirable ease, putting in a mannered performance until the exact moment when hysterics become necessary. As the couple’s grown children, Julia Clarete, Jennifer Sevilla, and Edgar Allan Guzman give the brood of discordant adults ample chemistry, making the strict distinction between emotional attachment and distance among them so deliciously apparent.

It is as if the film was willfully made to look ordinary and feel familiar, owing to Jeturian’s agenda of having the film mirror the pretentiousness of the Philippines’ bourgeoisie, a class as beholden as any other to the Catholic Church but displays such attachment to religion with near-absurd pomp. By bookending the film with public displays of faith and religiosity, where it appears that the Church has been successful in tending its flock to follow the ways of Christianity, Jeturian enunciates the ungodly difference between what is displayed in public and what is kept from public.

Jeturian sprinkles the film with a little too much of symbolisms and visual cues that make it a tad more pedantic than what is required to effectively communicate its message. Uneven only because of certain portions when the film is carried away by an understandable eagerness to reveal the failures of an overbearing Church and its shallow flock, Bisperas is a film that triumphs when it is low key, when its affronts to Catholic hypocrisy are gestured instead of zealously announced.

(Cross-published in Twitch.)

Ang Babae sa Septic Tank (2011)



Ang Babae sa Septic Tank (Marlon Rivera, 2011)
English Title: The Woman in the Septic Tank

Ang Babae sa Septic Tank (The Woman in the Septic Tank), directed by Marlon Rivera from a screenplay written by Chris Martinez, earns most of its laughs from the misadventures of director Rainer (Kean Cipriano), producer Bingbong (JM de Guzman), and production assistant Jocelyn (Cai Cortez), an overly ambitious troop of filmmakers who are out to make their dream film entitled "Walang Wala" by exploiting the picturesque poverty of Manila. As they brainstorm on the casting, the look, the story, the poster design, and down to the English translation of the title of their precious project, the film takes shape inside the mind of perennially quiet Jocelyn (perhaps Rivera and Martinez’s homage to the production crew rendered voiceless by noisy auteurs and capitalists), showcasing what’s depressingly wrong in the current state of Philippine filmmaking in the most hilarious of ways.

Ang Babae sa Septic Tank delights in caricaturizing filmmakers, films, and the business of making films. There are practically no real characters to speak of, and no real story for the characters to navigate in. The filmmakers are just comical representations of deplorable traits of filmmakers tend to have. The plot is essentially what happens in a typical day in the pre-production of the film, where meetings, pitches, and location checks are crammed within the few working hours of the day in true independent film fashion.

Rivera and Martinez thickens what essentially is a thinly plotted experience with wit and exaggeration, creating both a chilling and charming indictment of Philippine cinema for creating monsters that feed on fame and fortune at the expense of the truly marginalized. Unfortunately, Ang Babae sa Septic Tank trips on its own trap. In its quest for some sort of comeuppance for its erring characters, it draws up a twist that makes use of the most common stereotype of poverty, which is abject criminality.

Ang Babae sa Septic Tank’s biggest commodity is reliable Eugene Domingo, who plays the various versions of "Walang Wala"’s Mila, the hapless mother of too many children who is forced to sell one of her kids to a pedophile to survive. She also plays an overly distorted version of herself. Domingo hilariously hams up the role of the overly-pampered product of mainstream projects and television shows.

Lately, Philippine cinema has been represented internationally by the films of Brillante Mendoza which are predominantly focused on lives persisting in extreme cases of poverty. With the success of Mendoza and the demand of film festival programmers for exoticized visions of third-world penury, other filmmakers followed suit, filming various stories back-grounded by mountains of trash, acres of slums, and never-ending violence.

The Philippines, sadly, is proud of a cinema that most of its citizens have not seen. It is proud of a cinema that is taken hostage by the international film festivals that dictate upon it its inevitable direction. It is proud of a cinema that is only part of a vicious cycle of international demands and artists too willing to fill in these demands. Of course, that is only one spectrum of the debate. The other spectrum belongs to what’s right in Philippine cinema, which is obviously not the focus of Martinez and Rivera and would have made the film a less effective parody.

With its brave and seamless sense of humor, Ang Babae sa Septic Tank is a sure crowd-pleaser. However, let not its comedic machinations be mistakenly considered as the summation of the bigger, more complex and more beautiful thing that is Philippine cinema.

(Cross-published in Twitch.)

Perspectives

If I could bet on one sure thing around here it is constant change. As soon as I wrote that things seemed to going well, the tides change. Yesterday was probably the most difficult day I have had with the kids in the last 5 months. It all started around 5 am as usual. After Cruz's protein shakes we did about 30 minutes of swinging and we wore the deep pressure vest for just as long. The morning progressed with 'organized' fun and we worked on some speech therapy and occupational therapy. We did puzzles, playdoh, bubbles, read books, built towers with blocks, did our deep pressure rocking on balls. I pulled out about every trick I could think of. By the time we finished it all it was only noon! The kids both were tired so I tried to get them down for naps. Wren slept a whole 45 minutes and Cruz never could fall asleep. The afternoon took a turn for the worse and by 2:30 I thought I would lose my marbles. Cruz became very aggressive with me and Wren with pushing, hitting, and now his 'hugging'. Because he wants to put deep pressure on his stomach, he will 'hug' her from behind, knock her down and lay on her back. It looks like something you'd see on the Animal Planet. She tries to crawl away and he just pushes her down. She cries, then he cries. So now when he tries to pull her hand to play with him she runs to me. He gets his feelings hurt and cries. His behavior yesterday was defiant and aggressive. He was throwing things at me... I tried a movie and snack, hoping he would be able to fall asleep. No success. By 4pm, I knew that I didn't want him to nap at this point or he'd be up all night. The kids were literally crawling up the walls. Like, literally stacking things and trying to climb the walls. We had already had multiple screaming fits. I had tried to stay inside with them earlier because it was so hot.  I couldn't take ten more minutes, so we threw our suits on and went outside. I knew if we could just get out of these tiny four walls they would be distracted. I grabbed my camera and something really magical happened. Our perspectives all began to change. It is something that I am not quite sure how to describe other than to show some of the 600 photos that were taken in an hour. Everytime I wanted to say, 'no, wait', 'get down', 'don't do that', 'don't push', 'wait your turn',  I instead kept snapping pictures in an attempt to get that money shot. I kept an arm close by for safety and there were definitely some times that I thought, 'This isn't good, I should stop' but we made it through. 


Cruz wanted to put all of the chalk in the sprinkler.... which turned it into paint

So we just kept rinsing off in the sprinkler




Let me just add that I was running as fast as I could while taking pictures to get there for this one... just in case.



 So after the sprinkler, the chalk, the swings, and slide... they decided to play in the sand. I personally can't stand the feeling of dry sand on wet skin. It is like nails on a chalk board for me.... My kids? Oh no. My sensory kids ate it up. Literally.

I was pushing Wren in the swing and caught a glimpse of Sneaky McSneakers under the slide.
 And really, why stand next to the sand soaking wet when you could roll in it. Like a giant sugar cookie.

 And what's better than rolling in it? How about face planting into it?
 And of course... eating it.



After you've gotten wet, painted blue across your body, and rolled in dry sand, what's next? Rinse and Repeat.


So for that one hour outside, the kids were free and crazy. I wish it ended there. The end, beautiful story. Unfortunately, those little sugar cookies had to be carried against their will into a shower with mommy to have sand scrubbed out of every nook and cranny. Let me just jump through the torturous ending and tell you that they cried, screamed, whined, until they fell asleep that night. And then mommy collapsed. There are so many bizarre things that go on during the day and it is sometimes very tense around here. But for some reason, when I am holding that camera in my hand and holding my tongue long enough to get a good shot. I see them as beautiful photographs and pieces of art. The pictures are deceiving. You can't tell that ten seconds before Cruz pushed her into the sprinkler face down on the ground or that there was screaming and fighting. You stop and notice the amazing beauty of light and contrast. You can probably hear the sound of laughter and squeeling. You probably can't feel that it was literally like 100 degrees and we were being attacked my mosquitos. You probably focused on the smiles, the smooth skin, and those long eye lashes. It is amazing how the camera can change your perspective. I should just always keep it slung over my shoulder so that in those moments of wild and crazy, I am forced to be still and change my perspective.













Some SDCC Photos

Hi guys, sorry but my stories are exclusive for Yahoo! Philippines. I can share some photos though :)

Here are just some snippets from the San Diego Comic-Con!






The Sprinkler


 I haven't posted anything in a while because quite honestly, I have not been feeling inspired. I have not been feeling inspired to do anything. Cooking, cleaning... I think it may be the oppressive heat. With Cruz, we seem to be taking two steps forward, one step back. When we seem to be having a good day, suddenly it changes on a dime. Then after a bad day we have a few really good days. But I did want to share this really good story. It is actually from two weeks ago but the day after was when we were down at kamp, so I had mentally moved on.  So the story goes like this... Cruz has never drawn with sidewalk chalk. Ninety percent of the time he will line them up in a row or carry a few around. I will draw things next to him and point out letters, shapes, numbers, and he comes along and lines the chalk up. I would do hand over hand and make him draw and he would let me but as soon as I finished, he was done. There just has never been an interest. Well, lately in the evenings Jason and I have been setting up and moving sprinklers around the front and backyard. On this Saturday evening, we set the box of chalk out as usual, expecting Wren to try to eat it and for Cruz to line it up. However, Cruz grabbed the chalk and began to furiously scratch lines on the driveway in an arch. Jason and I watched in amazement. He looked up at us and signed water with his hand and then pointed to the sprinkler. We were absolutely amazed! I ran inside and grabbed the camera. We cheered and clapped and he was so proud of himself. Since then anytime the chalk comes out he draws the sprinkler again and signs water. Sometimes he'll rub it on his legs and on Wren. Then he promptly begins to line them up afterwards and change directions. We have never gotten him to draw anything else, but we are very proud of the progess!











Nathalie's Gourmet Studio @ Solaris Dutamas

Sometime in last month end, our boss sent us for a team -building course, usually those course things is something boring, but he came out with an idea, which is sent all of us for "A" cooking course!

The place he choose no other than Nathalie's Gourmet Studio!! We had it on a working day, we leave an hour early to go for the course. Ya, you can imagine after finish, it is almost 10pm!!


Nathalie's Gourmet Studio



Fully equip kitchen, this is the place where we learn our cooking & baking! Cool ya.




We had some tea and coffee, while waiting for my other colleagues to arrive.


restaurant area, the table setting is for all of us, we ate the food that we cooked! LOL!

Since it is a team building course, we divided to three groups, each groups got 6 person. We rotate to do the task, very interesting.

Below pictures are from my colleague, he took quite a lot pictures, but it is not so nice for me to post up here with all my colleagues and boss face in the pictures. :P



Dough kneading ! Oh..i don't know how to knead and that is why i don't know how to bake!! I only can go for "cheating and easy way".


this is the apple caramel in the oven.....while waiting for it to bake, we prepare other foods.


egg mix and the precooked tart.


add roast vegetables, grated parmesan cheese on top...


add in the egg mix and basil leaves


this is how it's look before it go into the oven...


this is Sable, it read as "Sa-blay"

we are preparing Sable Breton


Tada, this is the roasted vegetables tart that we made!


while we all sit outside at the restaurant, the Chef and also our teacher, Nathalie is preparing our dinner and to make it look more presentable.


our main course, nice? ~ Roasted Vegetable Tart


now she is preparing our dessert.....


~Apple Tatin Tart On A Britany Sable
~Salted Caramel Espuma

Yes, this is the dessert that we learn on that night!!


not only that, we got a scoop of vanilla ice cream to complete this dessert.

YES! We learn how to make that vanilla ice cream too!!!!!!!!!!!!!!!


oh ya, we bake this French Baguettes too! I love this so much!
Eat it with salted butter, it just perfect!!

Ok, i only know how to eat, ask me to bake....hmmmmmmmm......

We had a good time, it is really a good and interesting team building course and we all enjoy eating the food that cooked by us too! This is my very first baking and cooking class, it sure give me a very good experience.

To end the night..............i bought myself .....................................


a box of Nathalie's signature macaron !